The Summer of Something New
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At the beginning of the summer, I gave myself permission to try new things. To really go wild in the studio. Even so, the first five things I painted were landscapes.
And then…I painted six totally non-representational paintings and loved (nearly) every minute of it. Are you ever just so excited about what you’re making/building/writing/playing/cooking and about what’s coming out of your brain and your hands that you can hardly stand it? That’s how I felt.
I painted a one-off, then two that were designed to hang together, and then the three featured in this blog post. I think they would look amazing installed together somewhere, but they are also available individually.
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These paintings are about the colors and how to divide up the canvas (AKA the shapes). They are also about all the details that emerged intentionally and serendipitously as I toiled (in the best way possible) to get the colors exactly right. The layers and layers of paint and different colors create the most amazing little surprises to be discovered.
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Unlike with my landscape paintings, I had to “invent” the design for these paintings, so I took to my sketchbook. My sketchbook practice is new as of last summer, and I’m into it.
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In the video below, recorded when I was almost done with the paintings, I go into more detail about the paintings, what they are and are not, and some of the things I’m thinking through and deciding while painting.
Love these, Catherine! I totally see your landscapes in these abstracts, and as a fellow painter I admire your ability to translate what catches your eye into a non-representational design. These are super strong. Wish I could see them in person. Thanks for sharing the detail!
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